The Grand Bizarre (2018, 60m30s, 16mm transferred to HD file, color, sound)
“A postcard from an imploded society. Bringing mundane objects to life to interpret place through materials, The Grand Bizarre transcribes an experience of pattern, labor, and alien[-]nation[s]. A pattern parade in pop music pairs figure and landscape to trip through the topologies of codification. Following components, systems, and samples in a collage of textiles, tourism, language, and music, the film investigates recurring motifs and how their metamorphoses function within a global economy.” — Jodie Mack
Doors: 17:30
Programme begin: 18:00
Programme end: 19:05
Also screening:
Jodie Mack’s Yard Work is Hard Work / Dusty Stacks of Mom
George Abbott and Stanley Donen’s The Pajama Game
About the artist:
Jodie Mack (born 1983; London, UK)
Jodie Mack is an experimental animator who received her MFA in film, video, and new media from The School of the Art Institute of Chicago in 2007. Combining the formal techniques and structures of abstract/absolute animation with those of cinematic genres, her handmade films use collage to explore the relationship between graphic cinema and storytelling, the tension between form and meaning. Musical documentary or stroboscopic archive: her films study domestic and recycled materials to illuminate the elements shared between fine-art abstraction and mass-produced graphic design. The works unleash the kinetic energy of overlooked and wasted objects and question the role of decoration in daily life.
Mack's 16mm films have screened at a variety of venues including the Locarno Film Festival, the Toronto International Film Festival, the New York Film Festival, the Jeonju International Film Festival, and the Viennale. She has presented solo programs at the 25FPS Festival, Anthology Film Archives, BFI London Film Festival, Harvard Film Archive, National Gallery of Art, REDCAT, International Film Festival Rotterdam, Shenzhen Independent Animation Biennale, and Wexner Center for the Arts among others. Her work has been featured in publications including Artforum, Cinema Scope, The New York Times, and Senses of Cinema. She was the 2017/18 Roberta and David Logie/Film Study Center Fellow at the Radcliffe Institute for Advanced Study and a 2018/19 Fellow at the Film Study Center Fellow at Harvard University. She is a 2019 Artist In Residence at the Headlands Center for the Arts, and she is an Associate Professor of Animation at Dartmouth College.
With thanks to Jodie Mack, Canyon Cinema, BFI FAN
Screening as part of BFI Musicals! The Greatest Show on Screen, a UK-wide film season supported by National Lottery, BFI Film Audience Network and ICO. bfimusicals.co.uk
Directed by Jodie Mack
2018
£6.00 (£4.50 conc.)
Doors 5.30PM
Programme 6:00PM
