- dir. AGNÈS VARDA
- year 1956
- country FRANCE
- run-time 80MIN
- rating PG
Deptford Cinema presents a retrospective on the French artist Agnès Varda.
"The only female director of the French New Wave, Agnès Varda has been called both the movement’s mother and its grandmother. The fact that some have felt the need to assign her a specifically feminine role, and the confusion over how to characterize that role, speak to just how unique her place in this hallowed cinematic movement—defined by such decidedly masculine artists as Jean-Luc Godard and François Truffaut—is. Varda not only made films during the nouvelle vague, she helped inspire it. Her self-funded debut, the fiction-documentary hybrid 1956’s La Pointe Courte is often considered the unofficial first New Wave film; when she made it, she had no professional cinema training (her early work included painting, sculpting, and photojournalism). Though not widely seen, the film got her commissions to make several documentaries in the late fifties. In 1962, she released the seminal nouvelle vague film Cléo from 5 to 7; a bold character study that avoids psychologizing, it announced her official arrival. Over the coming decades, Varda became a force in art cinema, conceiving many of her films as political and feminist statements, and using a radical objectivity to create her unforgettable characters. She describes her style as cinécriture(writing on film), and it can be seen in formally audacious fictions like Le bonheur and Vagabond as well as more ragged and revealing autobiographical documentaries like The Gleaners and I and The Beaches of Agnès." -The Criterion Collection
A young man (Philippe Noiret) arrives at a train station to see his wife. After four years of marriage the couple are having problems of a somewhat existential nature—the wife loves her husband, but is thinking of leaving him (he had an affair some time back, but her problem is not jealousy so much as questioning the very nature of love itself). The couple discuss their lives, and become resigned to the fact that they belong together, even if their love has changed. They return to Paris, the wife now better understanding her husband's nature because she's seen his hometown. As this drama unfolds, we see the lives of the poor but proud people living there; fishermen wanting to harvest shellfish from a small lagoon they have been forbidden to use because of an alleged problem with bacteria, a small child dies of an unknown illness, a young man wins the right to court the 16-year-old daughter of a neighbour, after proving himself in a local aquatic jousting tournament.